Justa la fusta means ‘hit the nail on the head’ in Catalan and it’s a reference to the needed wood to sculpt this handmade natural spoons. Broken letters reminds wood type letterpress.
Justa la fusta
In Senyor Estudi we are asked to describe ourselves briefly. Such request makes us think what we want to transmit and we start thinking about what to say. We consider that saying «we are a multidisciplinary studio» is boring and too typical and so we decide that we are not going to say that. To begin with, we think it is not very appropriate to write about our qualities, as praising ourselves has got some risks that we don’t want to run. However, as we are not in favour of false modesty, we agree that we will just talk about some of our strengths in a subtle way. For instance, we believe in our work and we are ingenious and decisive. We also consider that we have to mention our goals and how we work. So, after thinking about this we decide to say that we are very perfectionists and that we are not in favour of the senseless superficial design. And speaking of strengths, we will also say that we like to surprise and we are very neat. Well, maybe the last thing is a bit pretentious and we shouldn’t say it... Ah, and perhaps it would also be a good idea to say that we love being part of the projects we design and, for us, design is not only a proposal or a resource, but a way to understand the world. But, of course, if we wrote this people would think we are romantic and corny, so maybe it is better to end this description saying that our design is, at least, different and unpredictable. design.
PUBLICATIONS — Magazines
- Eina 50 anys
- Monografies d’Eina 33
- On Diseño 340 ‘Etiquetas, la imagen del vino’
- On diseño 303 ‘Premios Laus’
- Novum 02 13 ‘Klare Werte’
- Tecno Pack 01 ‘Fil, una costura entre el mundo del vino y la cerveza’
- Style Pack 04 ‘Diseñar sin diseñar’
- IdN v2 6 : Packaging Design Issue ‘Interviews with : Lluís Serra, Graphic Designer’
- BranD 06 Nowism, SendPoints ‘Experience Happiness Through Details In Designing’
- Chois Gallery 19
- Chois Gallery 06
- DPI 162 Wine Label Design ‘Senyor Estudi’
- Étapes 178 ‘Pour quoi s’emballer ?’
- Woman 233 ‘Botellas de etiqueta’
- Projeccions, Eina
PUBLICATIONS - Books
- Favourite Design Organic Edition, Ous Empordà
- Favourite Design 2020, Llavors Blanc
- Eina 50 anys Commemoració del 50è aniversari de la fundació d’EINA
- Los Logos 8, Gestalten, Carolina Manresa, Enclòs, Blockporta i Cuatro Gotas
- Top Graphic Design Series III Packaging Hightone Xina, Vins de Pedra i Altavins
- Packaging Materials SendPoints Xina, Vins de Pedra, Outòcton i La Cúpula
- Ecological Bottles Boxes Bags Monsa Editorial, Ous Empordà, Abellaires Empordanesos, Oju!
- Ecological Packaging Monsa Editorial, Cumbriu, Bell Verd, Rufa i Altavins
- BCN selected Monsa Editorial, Serraplà, La Vinyeta, Rufa i Altavins
- Eco Packaging Design Monsa Editorial, Outòcton
- We Invite You Monsa Editorial, Es Cau
Branding Elements Logos SendPoints Xina, Grata Companyia i Tangram Wine Plus Monsa Editorial, celler La Vinyeta - Pack Pack Monsa Editorial, celler La Vinyeta
- Laus 2017, Carolina Manresa i Fil vi d’agulla. 2015, Final de Copa Estrella Damm, Llavors Blanc i Vins de Pedra.
- 2014, Otra Perspectiva. 2013, Cuatro Gotas, Altavins i Microvins. 2012, Senyor Estudi, Cal Cabrer i postals La Vinyeta.
2011, Outòcton. 2009, vi Llavors. - Estudiants 2005, Elhombredelalata. 2004 i llibreta Laus Estudiants, Cobro alcabrón
- ADC*E Art Directors Club of Europe 2004, Cobro al cabrón
- Creativitat Industrial 2008, UdG, Caladora rrr i Girassola
PUBLICATIONS — Websites
- Domestika Tipografia Orenga, tipos móviles de jabón
- Unos Tipos Duros Tipos móviles de jabón
Fedrigoni Club Orenga. Espécimen especiado. Selección Fedrigoni 2017 - Maria del Mar Bonet.
La voz del Mediterráneo - AIGA Eye on Design Happy Hour Néboa, Fil
- Yorokobu entrevista Puntiapart.
Un cortometraje de cine en la etiqueta de vino - Étapes: design & culture visuelle,
Bell Verd - Gràffica Senyor Estudi fusiona tipografia Orenga con tradición jabonera.
- Entrevista Oju! Vinagre de vi. Sinfonía de olor, color y sabor
- La Mono Magazine 5 estudios que lo están petando
- For Print Only UnderConsideration Carolina Manresa –Best of 2016–, Fum, Tinta de Verano i Otra Perspectiva
- Art of the Menú UnderConsideration Plaça del Vi
- The Dieline Néboa, Fil, Ous Empordà, Oju!, Cumbriu, Bell Verd, Altavins, VdP i La Vinyeta
- Lovely Package Fil, Oli Mas Marcè, Outòcton, vi Mig Mig i vi És Poma
- Packaging of the World Orenga Type Soaps, Gusto, Bacco, Llavora Organic Pork, Ca n'Estruc BI, Néboa, Altavins Selecció, La Bestia, Fil, Almodins, Dulses, Llavors Blanc, Ous Empordà, Abellaires, Oju!, Cumbriu, Bell Verd, Microvins, Altavins, Vins de Pedra, Rufa i Outòcton
- Fonts in Use ‘Staff Pick’ Arkhé, Otra Perspectiva, Fil vi d'agulla, Dr Carolina Manresa, Revista de Ventalló, Altavins
- Klim Type Foundry Domaine in Use La Javanesa
PUBLICATIONS - Exhibitions
- Tapas, Spanish Design for Food 2013-2017
- FadFest 2019, 2017, 2013, 2012, 2011 i 2009
- Enganxa’t Centre d'Art la Panera 2010, Lleida
- Mi primera (co)lección a la Cripta del Fad, 2008
CONFERENCES
- 2020 Intervenció Màster de Disseny Gràfic
Projectes d’Identitat Gràfica, Xavier Alamany
Eina, Centre Universitari de Disseny i Art - 2019 WhyTalks ¿Existe el Packaging honesto?
Pati Nuñez, Borja Martínez, Rosa Lázaro and Senyor Estudi - 2018 Esdap Olot Èxit i fracàs.
Conferència i taller Terror a l’error - 2018 La Massana Cíclic
xerrades sobre comunicació visual - 2018 Eina Tècniques gràfiques,
Compte màcula - 2016 Setfonts Setmana del Disseny
i la Tipografia a Palma - 2015 Chill Laus ADC*E Night Spain, Llavors Blanc
- 2015 Tipo Eina Blanc Festival
goes to Eina2015 Petit Festival de Disseny Gràfic
a Tarragona, Identitat emocional - 2013 Col·legi de Disseny Gràfic
de Catalunya, Un punt en comú - 2013 Museu d’Art de Girona Art,
vi i disseny autòcton - 2013 Domus Sent Soví Bars de tapes
i platets, gestió de la imatge - 2012 CdC Tipografia, Amb Enric Jardí, Jordi Embodas i Lluís Serra
- 2011 Pecha Kucha Barcelona xııı,
La sopa d’all - 2009 Festa del Grafisme Portbou, Maridant històries i vi
- 2010 Entrevista al programa Ànima
al Canal 33, març
AWARDS
- 2019 Silver Laus, promotional item, Orenga Type Soap
- 2019 Bronze Laus, logo, Twobo
- 2017 Nomination ADC*E Art Directors Club of Europe, Carolina Manresa
- 2017 Silver Laus, Identity, Carolina Manresa
- 2017 Bronze Laus, packaging,
Fil vi d’agulla - 2016 Award Vinari The best Label,
Vins de Pedra - 2015 Silver ADC*E Art Directors Club
of Europe, packaging, Llavors Blanc - 2015 Bronze Laus, packaging, Llavors Blanc
- 2015 Bronze Laus, press,
Final de Copa, Estrella Damm - 2015 Bronze Laus, packaging, Vins de Pedra
- 2014 Bronze Laus, logo, Otra Perspectiva
- 2013 Gold Laus, packaging, Altavins
- 2013 Bronze Laus, packaging, Microvins
- 2013 Bronze Laus, naming, Cuatro Gotas
- 2013 Bronze Laus, logo, Cuatro Gotas
- 2012 Silver Laus, promotional item, postcards’ La Vinyeta
- 2012 Silver Laus, promotional item, postcards’ Cal Cabrer
- 2012 Bronze Laus, logo, Cal Cabrer
- 2012 Bronze Laus, stationery, Senyor Estudi
- 2012 Award Emprenedors Alt Empordà
- 2011 winners contest closed by the logo of the consortium Terra de Pas
- 2011 Bronze Laus, logo,
Ou tòcton - 2011 Bronze Laus, naming, Ou tòcton
- 2009 Gold Laus, packaging, wine Llavors
- 2007 Incubadora del Fad, book, Mi primera (co)lección
- 2005 Bronze Laus, Students final project of career, Elhombredelalata
- 2004 Gold Laus, Students, free work category, Cobro al cabrón
- 2004 Selected ADC*E, 'the best student of the year', Cobro al cabrón
- 2003 Selected contest for the logo Quart Centenari Don Quijote
de La Mancha